Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... principle of expressibility , therefore , appears to exclude a certain number of cases . Besides expressible universes , there may exist ultra - Meinongian uni- verses , comprising beings or states of affairs about which it is im ...
... game of any truth not ruled out by the basic principles ( " Mary likes raisin pies " ) , while a recursive principle governs the construction of new 1 make - believe truths from the basic principles and the Salient Worlds 55.
... principles that , while shared by fiction and other activ- ities , have for a long time constituted the privileged core of the fic- tional order : the principle of distance and the principle of relevance . Creation of distance could ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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