Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... social conventions and are fully known by the members of the community ; that marginal or nonserious behavior involves a suspension of the serious conventions and their replacement by specific conventions of " parasitic " speech ...
... social conventions established outside the literary exchange . That the ontology of revenge tragedies contains ghosts who often play a major role in the revelation of the crime ( Hamlet ) may be no more than a literary device — although ...
... social practices , these texts exerted nevertheless a last- ing fascination on their public in the same fashion as the medieval lives of saints secured the attention of theirs : as models impossible to follow literally , but giving social ...
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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