Fictional WorldsHarvard University Press, 1986 - 178 pagine Creators of fiction demand that we venture into alien spaces, into the worlds of Antigone, Don Quixote, Faust, Sherlock Holmes. Created worlds may resemble the actual world, but they can just as easily be deemed incomplete, precarious, or irrelevant. Why, then, does fiction continue to pull us in and, more interesting perhaps, how? In this beautiful book Pavel provides a poetics of the imaginary worlds of fiction, their properties and their reason for being. Thomas Pavelis a noted literary theorist and a novelist as well. His genial, graceful book has a polemical edge: he notes that structuralism started as a project to infuse new life into literary studies through the devices of linguistics. That project undercut referential issues, however, and is now obsolete. Pavelargues that what matters about fiction is its relation to the human capacity of invention and the complex requirements of imagination. He moves decisively beyond the constraints of formalism and textualism toward a diverse theory of fiction that is sensitive to both literary and philosophical concerns. Along the way he takes its through special landscapes that reveal the inextricability of art, religion, and myth. This is a venturesome book of the first order. |
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... sometimes strongly influence us , not unlike a colony established overseas that develops its own unusual constitution and later comes to affect in various ways the life of the metropolis . Such is the case of the fictions of wisdom ...
... sometimes compelling them subliminally to follow in major public crises a certain course of action , thus emplotting their lives " ( 1980 , p . 149 ) . More generally , represented conventions often display a normative role : they ...
... sometimes be attributed to external causes , such as the loss of belief in a well - organized mythology ; sometimes to internal pressures , as with the rise of fantastic literature The Economy of the Imaginary.
Sommario
Beyond Structuralism | 1 |
Size Incompleteness | 73 |
of the Imaginary | 136 |
Copyright | |
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