Communication Criticism: Rhetoric, Social Codes, Cultural StudiesWaveland Press, 2001 - 322 pagine This introduction to criticism teaches students critical skills, whether examining television, fiction, nonfiction, visual arts, or oral and written discourse. Three introductory chapters provide a foundation to explore nine approaches to critical study. The perspectives presented bridge disciplinary boundaries and include: asking questions about how audiences process communication, understanding human symbol systems and social relations as vehicles for comprehending the world, value and narrative analysis, and psychoanalytic and ideological criticism. The discussions of using each approach contain questions critics are most likely to ask, assumptions governing the approach, an exploration of sample analyses that reveal vocabulary most frequently used, and a review of the problems encountered by critics. |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 49
... term in your paper because of its precision . In such a case you should provide a definition the first time you use the term . Such definitions should not be made too crudely . Don't forget that some readers may understand the term and ...
... term in your paper because of its precision . In such a case you should provide a definition the first time you use the term . Such definitions should not be made too crudely . Don't forget that some readers may understand the term and ...
Pagina 115
... term " identification " for persuasion . Said Burke , comparing the " old " rhetoric and the " new " rhetoric , " whereas the key term for the ' old ' rhetoric was per- suasion and its stress was upon a deliberate design , the key term ...
... term " identification " for persuasion . Said Burke , comparing the " old " rhetoric and the " new " rhetoric , " whereas the key term for the ' old ' rhetoric was per- suasion and its stress was upon a deliberate design , the key term ...
Pagina 229
... terms in a “ grammar of motives . " Together they permit the critic to understand the relationship of the elements in a story by highlighting the different interpretations that can be made , depending upon which term is being featured ...
... terms in a “ grammar of motives . " Together they permit the critic to understand the relationship of the elements in a story by highlighting the different interpretations that can be made , depending upon which term is being featured ...
Sommario
Communication Criticism Today | 3 |
The CriticalCultural View of Criticism | 16 |
Analyzing Texts | 23 |
Copyright | |
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Parole e frasi comuni
acceptable accurate interpretation action American analysis approach argued argument associated audience authority become behavior beliefs called central chapter character claim codes communication criticism complex constructed context culture defined developed discourse discussed dominant effect examine example experience fact follow force formal criticism groups human ideas identified ideological important individual institutions interested interpretation issues Journal judgment kinds knowledge language literary lives look matter meaning metaphor narrative natural noted objects particular performance person political President principles problem psychoanalytic questions readers reason relations relationships rhetorical role rules says sense significant signs situation social society specific speech standards statements story structure style symbolic talk television tell term theme theory things thought tion traditional truth turn understand United value system visual women writing