The Art of Restraint: English Poetry from Hardy to LarkinUniversity of Delaware Press, 1991 - 332 pagine Richard Hoffpauir argues that the works of the best poets have found ways of not capitulating to contemporary reality and outlines the terms of the debate by setting the weaknesses of Yeats against the strenghts of Hardy. Subsequent chapters discuss the nature poetry of Edward thomas; the war poetry of Graves, Blunden, and Gurney; the love poetry of Bridges, Lawrence, and Graves; and the political and social verse of Rickword, Daryush, Betjeman, and Larkin. |
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The Art of Restraint: English Poetry from Hardy to Larkin Richard Hoffpauir Visualizzazione estratti - 1991 |
The Art of Restraint: English Poetry from Hardy to Larkin Richard Hoffpauir Anteprima non disponibile - 1991 |
Parole e frasi comuni
Auden beauty believe Blunden Bridges Bridges's calls Carcanet century citations are line Collected Poems complex context couplet critics D. H. Lawrence Daryush dead death defense diction dramatic early Edgell Rickword Edited Edward Thomas Elizabeth Daryush emotional English Poetry Essays excerpts experience expression Faber & Faber faith feel Georgian Graves's Hardy's Harmondsworth human Ibid imagistic irony Ivor Gurney John Betjeman language less line numbers literary lives London love poems lovers meaning metaphor mind modern modernist moral nature Numbers in parentheses Owen parentheses after citations past patriotism Penguin perhaps Philip Larkin poet poet's poetic political possible Pound reprint response Review rhyme Rickword Robert Graves romantic Rosenberg Sassoon satire says second stanza seems sense sentiments Silkin social soldiers sonnet soul suggests T. S. Eliot Thomas Hardy Thomas's thought tone tradition understanding verse vision W. B. Yeats W. H. Auden Wilfred Owen Winter woman writing Yeats's