Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 92
... Aristotle on . " The poet should speak as little as pos- sible in his own person , " Aristotle says , " for it is not this that makes him an imitator " ( Butcher trans . xxiv . 7 ) . To use more modern terminology , it is not his ...
... Aristotle on . " The poet should speak as little as pos- sible in his own person , " Aristotle says , " for it is not this that makes him an imitator " ( Butcher trans . xxiv . 7 ) . To use more modern terminology , it is not his ...
Pagina 93
... Aristotle de- plores all obvious , separable rhetoric , as we have just seen , because it is " extraneous . " On the one hand we have what is integral and hence poetic : the imitated action . On the other we have the au- thor's and ...
... Aristotle de- plores all obvious , separable rhetoric , as we have just seen , because it is " extraneous . " On the one hand we have what is integral and hence poetic : the imitated action . On the other we have the au- thor's and ...
Pagina 94
... Aristotle , de- termined by particular ends , and he never forgets that what might be too much in one work might equally well be too little in another . No such restraint has marked the pronouncements of some mod- ern champions of ...
... Aristotle , de- termined by particular ends , and he never forgets that what might be too much in one work might equally well be too little in another . No such restraint has marked the pronouncements of some mod- ern champions of ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York