Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 354
... ASPERN PAPERS " OR " THE EVOCATION OF VENICE " ? The effect of an incompletely resolved double focus gives us even more difficulty in a better - known story , " The Aspern Papers , " pub- lished in the same year as " The Liar " ( 1888 ) ...
... ASPERN PAPERS " OR " THE EVOCATION OF VENICE " ? The effect of an incompletely resolved double focus gives us even more difficulty in a better - known story , " The Aspern Papers , " pub- lished in the same year as " The Liar " ( 1888 ) ...
Pagina 358
... Aspern papers , his discovery that his best way to get to them is to make love to the owner's unattractive niece , Tina , his further discovery that marriage is to be the price of full possession , his temporary withdrawal in the face ...
... Aspern papers , his discovery that his best way to get to them is to make love to the owner's unattractive niece , Tina , his further discovery that marriage is to be the price of full possession , his temporary withdrawal in the face ...
Pagina 426
... Aspern Papers : 332. BASKETT , SAM S. " The Sense of the Present in The Aspern Papers " ( " Papers of the Michigan Academy of Science , Arts , and Letters , " Vol . XLIV , 1959 ) , pp . 381-88 . 333. STEIN , WILLIAM BYSSHE . " The ...
... Aspern Papers : 332. BASKETT , SAM S. " The Sense of the Present in The Aspern Papers " ( " Papers of the Michigan Academy of Science , Arts , and Letters , " Vol . XLIV , 1959 ) , pp . 381-88 . 333. STEIN , WILLIAM BYSSHE . " The ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York