Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina
... E. M. Forster , copyright , 1924 . Appleton - Century - Crofts , Inc .: From Thomas the Impostor , by Jean Cocteau , trans . Louis Galantière , copyright , 1925 . Jonathan Cape Ltd .: From " The Jilting of Granny Weatherall , " by ...
... E. M. Forster , copyright , 1924 . Appleton - Century - Crofts , Inc .: From Thomas the Impostor , by Jean Cocteau , trans . Louis Galantière , copyright , 1925 . Jonathan Cape Ltd .: From " The Jilting of Granny Weatherall , " by ...
Pagina 121
... E. M. Forster, Aspects of the Novel (New York, 1927), p. 45: "Yes — oh, dear, yes — the novel tells a story. . . . That is the highest factor common to all novels, and I wish it was not so, that it could be something different — melody ...
... E. M. Forster, Aspects of the Novel (New York, 1927), p. 45: "Yes — oh, dear, yes — the novel tells a story. . . . That is the highest factor common to all novels, and I wish it was not so, that it could be something different — melody ...
Pagina 213
... E. M. Forster : The Early Novels , " Critique , I ( Summer , 1957 ) , 15-32 : " The omniscient method of narration ... may indeed be the best possible one if the author's personality is to be an important element in the whole . It is so ...
... E. M. Forster : The Early Novels , " Critique , I ( Summer , 1957 ) , 15-32 : " The omniscient method of narration ... may indeed be the best possible one if the author's personality is to be an important element in the whole . It is so ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York