Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 250
... Emma's distorted view from page to page . If readers who dislike Emma cannot enjoy the preparation for the marriage to Knightley , readers who do not recognize her faults with absolute precision cannot enjoy the details of the ...
... Emma's distorted view from page to page . If readers who dislike Emma cannot enjoy the preparation for the marriage to Knightley , readers who do not recognize her faults with absolute precision cannot enjoy the details of the ...
Pagina 257
... Emma's initial blunder with Harriet and Mr. Elton . Throughout these chapters , we learn much of what we must know from the narrator , but she turns over more and more of the job of summary to Emma as she feels more and more sure of our ...
... Emma's initial blunder with Harriet and Mr. Elton . Throughout these chapters , we learn much of what we must know from the narrator , but she turns over more and more of the job of summary to Emma as she feels more and more sure of our ...
Pagina 263
... Emma's particular behavior violates the true standards of tenderness , if I am to savor to the full the episode of Emma's insult to Miss Bates and Knightley's reproach which follows . If I refuse to blame Emma , I may discover a kind of ...
... Emma's particular behavior violates the true standards of tenderness , if I am to savor to the full the episode of Emma's insult to Miss Bates and Knightley's reproach which follows . If I refuse to blame Emma , I may discover a kind of ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York