Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 111
... Faulkner is right when he calls the motives of As I Lay Dying universal and natural . " I simply imagined , " he says , " a group of people and subjected them to the simple universal natural catastrophes which are flood and fire with a ...
... Faulkner is right when he calls the motives of As I Lay Dying universal and natural . " I simply imagined , " he says , " a group of people and subjected them to the simple universal natural catastrophes which are flood and fire with a ...
Pagina 182
... Faulkner . The question is whether Gavin's elaborate commentary is essentially related to the nephew's experience of a near - lynching and his consequent growth toward maturity . In any “ truth - dis- covery " novel , and especially in ...
... Faulkner . The question is whether Gavin's elaborate commentary is essentially related to the nephew's experience of a near - lynching and his consequent growth toward maturity . In any “ truth - dis- covery " novel , and especially in ...
Pagina 183
... Faulkner justified in using the word " nun " to describe the heroine of Requiem for a Nun ? If not , so much the worse for Faulkner . Can we allow Silone to compare Pietro Spina with Christ in Bread and Wine ? Does Stephen's vocation ...
... Faulkner justified in using the word " nun " to describe the heroine of Requiem for a Nun ? If not , so much the worse for Faulkner . Can we allow Silone to compare Pietro Spina with Christ in Bread and Wine ? Does Stephen's vocation ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York