Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 254
... Frank Churchill . The other main characters have more to hide , and Jane Austen moves in and out of minds with great freedom , choosing for her own purposes what to reveal and what to withhold . Always the seeming violation of ...
... Frank Churchill . The other main characters have more to hide , and Jane Austen moves in and out of minds with great freedom , choosing for her own purposes what to reveal and what to withhold . Always the seeming violation of ...
Pagina 255
... Frank Churchill , the weaker our sense of ironic contrast be- tween Emma's views and the truth . The sooner we see through Frank Churchill's secret plot , the greater our pleasure in observing Emma's innumerable misreadings of his ...
... Frank Churchill , the weaker our sense of ironic contrast be- tween Emma's views and the truth . The sooner we see through Frank Churchill's secret plot , the greater our pleasure in observing Emma's innumerable misreadings of his ...
Pagina 262
... Frank Churchill ; un- schooled by morality it can lead to the baseness of Henry Crawford in Mansfield Park or of Wickham in Pride and Prejudice . Even the supreme virtues are inadequate in isolation : good will alone will make a comic ...
... Frank Churchill ; un- schooled by morality it can lead to the baseness of Henry Crawford in Mansfield Park or of Wickham in Pride and Prejudice . Even the supreme virtues are inadequate in isolation : good will alone will make a comic ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York