Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 312
... Henry James and H. G. Wells ( Urbana , Ill . , 1958 ) , Leon Edel and Gordon Ray dismiss its relevance as proof that James intended absolute lucidity and singleness of effect ; all he is doing is " explaining to Wells how he kept his ...
... Henry James and H. G. Wells ( Urbana , Ill . , 1958 ) , Leon Edel and Gordon Ray dismiss its relevance as proof that James intended absolute lucidity and singleness of effect ; all he is doing is " explaining to Wells how he kept his ...
Pagina 425
... Henry James James is the fountainhead - of this as of so many of our achievements and problems . The whole subject of unreliability can hardly be ap- proached except in the context of his Prefaces and Notebooks . 324. BLACKMUR , R. P. ...
... Henry James James is the fountainhead - of this as of so many of our achievements and problems . The whole subject of unreliability can hardly be ap- proached except in the context of his Prefaces and Notebooks . 324. BLACKMUR , R. P. ...
Pagina 426
... Henry James . New York , n.d. " And increasing this unreality is the fact that he set himself to dramatize the aesthetic gospel of the eighties without quite indicating , perhaps without being quite sure at this stage of his development ...
... Henry James . New York , n.d. " And increasing this unreality is the fact that he set himself to dramatize the aesthetic gospel of the eighties without quite indicating , perhaps without being quite sure at this stage of his development ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York