Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 59
... James's page 55 To the critic who assumes that James sought a surface cleansed of all traces of the author , regarding an air of impersonal narration as an end in itself , such intrusions are self - evidently weaknesses , and it is easy ...
... James's page 55 To the critic who assumes that James sought a surface cleansed of all traces of the author , regarding an air of impersonal narration as an end in itself , such intrusions are self - evidently weaknesses , and it is easy ...
Pagina 280
... James's own theories can easily meet difficulties . Gordon and Tate find that since there are " only two Short View scenes , " it slights " the scenic effect " and thus possibly violates " one of his [ James's ] primary canons : the ...
... James's own theories can easily meet difficulties . Gordon and Tate find that since there are " only two Short View scenes , " it slights " the scenic effect " and thus possibly violates " one of his [ James's ] primary canons : the ...
Pagina 312
... James's inten- tions are clear : he is attempting one of his lucid - but of course not- too - lucid - reflectors . Her consciousness must , like that of all of James's observers , be sufficiently " bedimmed and befooled and be- wildered ...
... James's inten- tions are clear : he is attempting one of his lucid - but of course not- too - lucid - reflectors . Her consciousness must , like that of all of James's observers , be sufficiently " bedimmed and befooled and be- wildered ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York