Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 132
reader . When compared with Dickens , for example , James Joyce may seem explicitly amoral . Joyce's overt interests are entirely in matters of truth and beauty . Conventional moral judgments never occur in his books except in mockery ...
reader . When compared with Dickens , for example , James Joyce may seem explicitly amoral . Joyce's overt interests are entirely in matters of truth and beauty . Conventional moral judgments never occur in his books except in mockery ...
Pagina 328
... Joyce the " wholeness , harmony , and radiance " that Ste- phen celebrates in his theory ? Or is it , as Father Noon ... James Joyce ( London , 1941 ) , p . 96 , and Stuart Gilbert , James Joyce's Ulysses ( London , 1930 ) , pp . 20–22 ...
... Joyce the " wholeness , harmony , and radiance " that Ste- phen celebrates in his theory ? Or is it , as Father Noon ... James Joyce ( London , 1941 ) , p . 96 , and Stuart Gilbert , James Joyce's Ulysses ( London , 1930 ) , pp . 20–22 ...
Pagina 428
... James Joyce's Ulysses . London , 1961 . 343 . Chap . iv , " The Modes of Irony in Ulysses , " is an especially valuable discussion of the distance between Joyce and his two main characters . " Joyce and the Artist's Fingernails , " A ...
... James Joyce's Ulysses . London , 1961 . 343 . Chap . iv , " The Modes of Irony in Ulysses , " is an especially valuable discussion of the distance between Joyce and his two main characters . " Joyce and the Artist's Fingernails , " A ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York