Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 245
... Jane Austen herself predicted we would3— if we fail to love her more and more as the book progresses —we can neither hope for the conclusion, a happy and deserved marriage with Knightley following upon her reform, nor accept it as an ...
... Jane Austen herself predicted we would3— if we fail to love her more and more as the book progresses —we can neither hope for the conclusion, a happy and deserved marriage with Knightley following upon her reform, nor accept it as an ...
Pagina 249
... Austen knew perfectly well how to make such a character vivid ; Anne in Persua- sion is a kind of Jane Fairfax turned into heroine . But in Emma , Emma must shine supreme . It is not only that the slightest glance inside Jane's mind ...
... Austen knew perfectly well how to make such a character vivid ; Anne in Persua- sion is a kind of Jane Fairfax turned into heroine . But in Emma , Emma must shine supreme . It is not only that the slightest glance inside Jane's mind ...
Pagina 259
... Jane Austen , " Oh , Miss Austen , it was not a good solution ; it was a bad solution , an unhappy ending , could we see beyond the last pages of the book . " Edmund Wilson predicts that Emma will find a new protégée like Harriet ...
... Jane Austen , " Oh , Miss Austen , it was not a good solution ; it was a bad solution , an unhappy ending , could we see beyond the last pages of the book . " Edmund Wilson predicts that Emma will find a new protégée like Harriet ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York