Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 105
... Joyce's almost pathetic eagerness to get reports on the criticism of each work before , and as , it appeared . Part of Joyce's inter- est in sales may have been merely commercial , but it is clear that he wanted desperately to be read ...
... Joyce's almost pathetic eagerness to get reports on the criticism of each work before , and as , it appeared . Part of Joyce's inter- est in sales may have been merely commercial , but it is clear that he wanted desperately to be read ...
Pagina 328
... Joyce's ironic development of the Dedalus aesthetic . " 30 Finally , what of the precious villanelle ? Does Joyce intend it to be taken as a serious sign of Stephen's artistry , as a sign of his genu- ine but amusingly pretentious ...
... Joyce's ironic development of the Dedalus aesthetic . " 30 Finally , what of the precious villanelle ? Does Joyce intend it to be taken as a serious sign of Stephen's artistry , as a sign of his genu- ine but amusingly pretentious ...
Pagina 330
... Joyce's precise attitude toward Stephen's vocation , his aesthetics , and his villanelle were ir- relevant , we would hardly dispute with each other about them . Yet I count in a recent check list at least fifteen articles and one full ...
... Joyce's precise attitude toward Stephen's vocation , his aesthetics , and his villanelle were ir- relevant , we would hardly dispute with each other about them . Yet I count in a recent check list at least fifteen articles and one full ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York