Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 132
... Joyce would probably never call him a " good " boy , though later an older and mellower Joyce was willing to describe Bloom as " a good man , " a " complete . " 11 For us Stephen is , in part , a good boy . His pursuit of his own vision ...
... Joyce would probably never call him a " good " boy , though later an older and mellower Joyce was willing to describe Bloom as " a good man , " a " complete . " 11 For us Stephen is , in part , a good boy . His pursuit of his own vision ...
Pagina 328
... Joyce the " wholeness , harmony , and radiance " that Ste- phen celebrates in his theory ? Or is it , as Father Noon says , an ironic portrait of Stephen's immature aesthetics ? Joyce wanted to qualify Stephen's utterances , Father Noon ...
... Joyce the " wholeness , harmony , and radiance " that Ste- phen celebrates in his theory ? Or is it , as Father Noon says , an ironic portrait of Stephen's immature aesthetics ? Joyce wanted to qualify Stephen's utterances , Father Noon ...
Pagina 428
... Joyce and his two main characters . " Joyce and the Artist's Fingernails , " A Review of English Literature , II ( April , 1961 ) , 59–73 . 344. KAIN , RICHARD M. " Joyce : Aquinas or Dedalus ? " Sewanee Review , LXIV ( Autumn , 1956 ) ...
... Joyce and his two main characters . " Joyce and the Artist's Fingernails , " A Review of English Literature , II ( April , 1961 ) , 59–73 . 344. KAIN , RICHARD M. " Joyce : Aquinas or Dedalus ? " Sewanee Review , LXIV ( Autumn , 1956 ) ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York