Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 92
... Kenyon Review , Spring , 1943 , as reprinted in Critiques and Essays in Criticism : 1920-48 , ed . Robert W. Stallman [ New York , 1949 ] , p . 99 ) . For a persuasive argument against using purity as a universal standard , see ...
... Kenyon Review , Spring , 1943 , as reprinted in Critiques and Essays in Criticism : 1920-48 , ed . Robert W. Stallman [ New York , 1949 ] , p . 99 ) . For a persuasive argument against using purity as a universal standard , see ...
Pagina 412
... Kenyon Review , XVIII ( Summer , 1956 ) , 486–96 . 160. STEVENSON , ROBERT LOUIS . " A Humble Remonstrance , " in Mem- ories and Portraits . London and New York , 1887 , pp . 275-99 . 161. TATE , ALLEN . " The Post of Observation in ...
... Kenyon Review , XVIII ( Summer , 1956 ) , 486–96 . 160. STEVENSON , ROBERT LOUIS . " A Humble Remonstrance , " in Mem- ories and Portraits . London and New York , 1887 , pp . 275-99 . 161. TATE , ALLEN . " The Post of Observation in ...
Pagina 428
341. EMPSON , WILLIAM . " The Theme of Ulysses , " Kenyon Review , XVIII ( Winter , 1956 ) , 26–52 . 342. GOLDBERG , S. L. The Classical Temper : A Study of James Joyce's Ulysses . London , 1961 . 343 . Chap . iv , " The Modes of Irony ...
341. EMPSON , WILLIAM . " The Theme of Ulysses , " Kenyon Review , XVIII ( Winter , 1956 ) , 26–52 . 342. GOLDBERG , S. L. The Classical Temper : A Study of James Joyce's Ulysses . London , 1961 . 343 . Chap . iv , " The Modes of Irony ...
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True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York