Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 414
... PMLA , LXXV ( March , 1960 ) , 149–51 . 188. MARTIN , HAROLD C. ( ed . ) . Style in Prose Fiction ( “ English Insti- tute Essays , " 1958. ) New York , 1959 . 189. MATLAW , RALPH E. " Structure and Integration in Notes from Un ...
... PMLA , LXXV ( March , 1960 ) , 149–51 . 188. MARTIN , HAROLD C. ( ed . ) . Style in Prose Fiction ( “ English Insti- tute Essays , " 1958. ) New York , 1959 . 189. MATLAW , RALPH E. " Structure and Integration in Notes from Un ...
Pagina 415
... PMLA , LXIX ( De- cember , 1954 ) , 1101-11 . Tolstoy was the first author to use the technique consciously ; Chernyshevski's appreciation of Tolstoy's use was the first criti- cal notice given to the device . 199. TUVE , ROSEMOND ...
... PMLA , LXIX ( De- cember , 1954 ) , 1101-11 . Tolstoy was the first author to use the technique consciously ; Chernyshevski's appreciation of Tolstoy's use was the first criti- cal notice given to the device . 199. TUVE , ROSEMOND ...
Pagina 424
... PMLA , LXXII ( March , 1957 ) , 14-26 . 308. DONALDSON , E. TALBOT . " Chaucer the Pilgrim , " PMLA , LXIX ( September , 1954 ) , 928-36 . Chaucer belongs to " a very old - and very new - tradition of the fallible first person singular ...
... PMLA , LXXII ( March , 1957 ) , 14-26 . 308. DONALDSON , E. TALBOT . " Chaucer the Pilgrim , " PMLA , LXIX ( September , 1954 ) , 928-36 . Chaucer belongs to " a very old - and very new - tradition of the fallible first person singular ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York