Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 91
... rhetoric, since it is clearly not a part of the "pure poetic object."7 There was nothing new in the contrast of poetry with. 5 An Autobiography, ed. Frederick Page (London, 1950) , pp. 234-35. 6 "Modern Fiction," The Common Reader ...
... rhetoric, since it is clearly not a part of the "pure poetic object."7 There was nothing new in the contrast of poetry with. 5 An Autobiography, ed. Frederick Page (London, 1950) , pp. 234-35. 6 "Modern Fiction," The Common Reader ...
Pagina 92
... rhetorical temptations of drama , the use of spectacular staging . The plot , he says , should take care of the emotional effect , and to produce this effect by " spectacular means ” —that is , by the producer's rhetoric - is a " less ...
... rhetorical temptations of drama , the use of spectacular staging . The plot , he says , should take care of the emotional effect , and to produce this effect by " spectacular means ” —that is , by the producer's rhetoric - is a " less ...
Pagina 109
... rhetorical theories of litera- ture disappears . Whether or not this is a fruitful way of harmonizing self - ex- pression and rhetoric , we must conclude that in Forster's novel , as in our other examples , recognizable rhetorical ...
... rhetorical theories of litera- ture disappears . Whether or not this is a fruitful way of harmonizing self - ex- pression and rhetoric , we must conclude that in Forster's novel , as in our other examples , recognizable rhetorical ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York