Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 132
... Stephen's discovery of his artistic vocation and of his integrity in following where it leads . His repudiations of conventional morality -his refusal to enter the priesthood , his rejection of communion , his decision to become an ...
... Stephen's discovery of his artistic vocation and of his integrity in following where it leads . His repudiations of conventional morality -his refusal to enter the priesthood , his rejection of communion , his decision to become an ...
Pagina 163
... Stephen's mind really goes on there , or in other words , that Joyce knows how Stephen's mind works . " The equation of the page of his scribbler began to spread out a widening tail , eyed and starred like a peacock's ; and , when the ...
... Stephen's mind really goes on there , or in other words , that Joyce knows how Stephen's mind works . " The equation of the page of his scribbler began to spread out a widening tail , eyed and starred like a peacock's ; and , when the ...
Pagina 328
... Stephen's immature aesthetics ? Joyce wanted to qualify Stephen's utterances , Father Noon tells us , " by invit- ing attention to his own more sophisticated literary concerns , " and he stands apart from the Thomist aesthetics ...
... Stephen's immature aesthetics ? Joyce wanted to qualify Stephen's utterances , Father Noon tells us , " by invit- ing attention to his own more sophisticated literary concerns , " and he stands apart from the Thomist aesthetics ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York