Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 150
... Tristram Shandy . In that , we have Vanity Fair , Tom Jones , The Ambassadors , and Brave New World . But in Vanity Fair and Tom Jones the com- mentary is in the first person , often resembling more the intimate effect of Tristram ...
... Tristram Shandy . In that , we have Vanity Fair , Tom Jones , The Ambassadors , and Brave New World . But in Vanity Fair and Tom Jones the com- mentary is in the first person , often resembling more the intimate effect of Tristram ...
Pagina 229
... Tristram Shandy . Since the rhetorical intent of these works is evident to every reader , the function of the dramatized spokesmen , whether fools , knaves ... Tristram , unlike Montaigne , Telling as Showing 229 The Unity of Tristram Shandy.
... Tristram Shandy . Since the rhetorical intent of these works is evident to every reader , the function of the dramatized spokesmen , whether fools , knaves ... Tristram , unlike Montaigne , Telling as Showing 229 The Unity of Tristram Shandy.
Pagina 431
... Tristram Shandy , Gentleman ( 1760 ) ; ( d ) Explanatory Remarks upon the Life and Opinions of Tristram Shandy .... By Jeremiah Kunastrokius , M.D. ( 1760 ) ; ( e ) The Life and Opinions of Miss Sukey Shandy of Bow Street , Gentlewoman ...
... Tristram Shandy , Gentleman ( 1760 ) ; ( d ) Explanatory Remarks upon the Life and Opinions of Tristram Shandy .... By Jeremiah Kunastrokius , M.D. ( 1760 ) ; ( e ) The Life and Opinions of Miss Sukey Shandy of Bow Street , Gentlewoman ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York