Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 291
... activity , all immediate enjoyment , whenever the miracle of a resemblance with things past enabled me to escape out of the present . He alone had the power to make me recapture by- gone days , times past , which had always balked the ...
... activity , all immediate enjoyment , whenever the miracle of a resemblance with things past enabled me to escape out of the present . He alone had the power to make me recapture by- gone days , times past , which had always balked the ...
Pagina 292
... activity . No one seems to have discovered what it is that distinguishes the few successes in this mode from the innumerable failures . There is nothing more boring than a boring " novelist - hero " searching , for no discernible reason ...
... activity . No one seems to have discovered what it is that distinguishes the few successes in this mode from the innumerable failures . There is nothing more boring than a boring " novelist - hero " searching , for no discernible reason ...
Pagina 302
... activity does to his attitude toward the story and its author . In his early Atlantic Monthly re- view from which I have already quoted James on the art of “ making the reader , " his whole emphasis is on this one aspect . " When he ...
... activity does to his attitude toward the story and its author . In his early Atlantic Monthly re- view from which I have already quoted James on the art of “ making the reader , " his whole emphasis is on this one aspect . " When he ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York