Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 120
... aesthetic value or only a reflected and secondary one " ( p . 76 ) . Naturally , the reader of such works must be himself purged of emotional involvement . Again and again one reads attacks on read- ers who want to be excited with " action ...
... aesthetic value or only a reflected and secondary one " ( p . 76 ) . Naturally , the reader of such works must be himself purged of emotional involvement . Again and again one reads attacks on read- ers who want to be excited with " action ...
Pagina 155
... action as agents or as suf- ferers , narrators and third ... aesthetic , and even physical . ( Does the reader who stammers react to the stam- mering of H. C. Earwicker as I do ? Surely not . ) The elements usually discussed under “ aesthetic ...
... action as agents or as suf- ferers , narrators and third ... aesthetic , and even physical . ( Does the reader who stammers react to the stam- mering of H. C. Earwicker as I do ? Surely not . ) The elements usually discussed under “ aesthetic ...
Pagina 388
... aesthetic obligation to " write well , " to do all that is possible in any given instance to realize his world as he in- tends it . From this standpoint there is a moral dimension in the author's choice of impersonal , noncommittal ...
... aesthetic obligation to " write well , " to do all that is possible in any given instance to realize his world as he in- tends it . From this standpoint there is a moral dimension in the author's choice of impersonal , noncommittal ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York