Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 135
... ambiguous ; the more ambiguity the less triumph . If he is clear about where his focus lies , a great artist can of course do some justice to the complexities of the world and still achieve a high degree of emotional involvement ...
... ambiguous ; the more ambiguity the less triumph . If he is clear about where his focus lies , a great artist can of course do some justice to the complexities of the world and still achieve a high degree of emotional involvement ...
Pagina 161
... ambiguity is to look closely at the concept of “ dramatic " storytelling . The author can present his characters in a dramatic situation without in the least presenting them in what we normally think of as a dramatic manner . When ...
... ambiguity is to look closely at the concept of “ dramatic " storytelling . The author can present his characters in a dramatic situation without in the least presenting them in what we normally think of as a dramatic manner . When ...
Pagina 371
... ambiguity made the novel better , not worse . " Indeed , for me one of the attractions of Lolita , " he says , " is its ambiguity of tone . . . and its ambiguity of intention , its ability to arouse uneasiness , to throw the reader off ...
... ambiguity made the novel better , not worse . " Indeed , for me one of the attractions of Lolita , " he says , " is its ambiguity of tone . . . and its ambiguity of intention , its ability to arouse uneasiness , to throw the reader off ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York