Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 93
... appearing rarely - though as we have seen already he appears far more often than Aristotle's comment would suggest - can we not out - Homer Homer by not ap- pearing at all , by showing everything and telling nothing ? If Sophocles is ...
... appearing rarely - though as we have seen already he appears far more often than Aristotle's comment would suggest - can we not out - Homer Homer by not ap- pearing at all , by showing everything and telling nothing ? If Sophocles is ...
Pagina 247
... appear to be . For every section devoted to her misdeeds- and even they are seen for the most part through her own eyes- there is a section devoted to her self - reproach . We see her rudeness to poor foolish Miss Bates , and we see it ...
... appear to be . For every section devoted to her misdeeds- and even they are seen for the most part through her own eyes- there is a section devoted to her self - reproach . We see her rudeness to poor foolish Miss Bates , and we see it ...
Pagina 396
... appear brighter , more esoteric , less commercial than he really is . The convenient but ultimately ridiculous notions that all conces- sions to the public are equally base , that the public itself is base , and that the author himself ...
... appear brighter , more esoteric , less commercial than he really is . The convenient but ultimately ridiculous notions that all conces- sions to the public are equally base , that the public itself is base , and that the author himself ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York