Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 36
... called it in the title of his fine recent book . What interest has been shown in describing literary kinds that might , by their specific demands , mediate between uni- versal standards and particular works has often gone into forming ...
... called it in the title of his fine recent book . What interest has been shown in describing literary kinds that might , by their specific demands , mediate between uni- versal standards and particular works has often gone into forming ...
Pagina 122
... called " psychic dis- tance " as that of making sure that a work is neither " over - distanced " nor " under - distanced . " If it is over - distanced , it will seem , he said , improbable , artificial , empty , or absurd , and we will ...
... called " psychic dis- tance " as that of making sure that a work is neither " over - distanced " nor " under - distanced . " If it is over - distanced , it will seem , he said , improbable , artificial , empty , or absurd , and we will ...
Pagina 154
... called " picture " ( Addison's almost completely non - scenic tales in The Spectator ) , or , most commonly , as a combination of the two . Like Aristotle's distinction between dramatic and narrative man- ners , the somewhat different ...
... called " picture " ( Addison's almost completely non - scenic tales in The Spectator ) , or , most commonly , as a combination of the two . Like Aristotle's distinction between dramatic and narrative man- ners , the somewhat different ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York