Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 157
... characters like Faulkner's Mink Snopes and transforming them , both through character change and technical manipulation , into characters of dignity and power . We badly need thoroughgoing studies of the various plot forms that have ...
... characters like Faulkner's Mink Snopes and transforming them , both through character change and technical manipulation , into characters of dignity and power . We badly need thoroughgoing studies of the various plot forms that have ...
Pagina 162
... character in this lat- ter kind of dramatic relationship with the reader without involving that character in any internal drama at all . Many lyric poems are dramatic in this sense and undramatic in any other . " That is no country for ...
... character in this lat- ter kind of dramatic relationship with the reader without involving that character in any internal drama at all . Many lyric poems are dramatic in this sense and undramatic in any other . " That is no country for ...
Pagina 175
... character in the story . When a character speaks realistically , within the drama , the convention of absolute reliability has been destroyed , and while the gains for some fictional purposes are undeniable , the costs are undeniable ...
... character in the story . When a character speaks realistically , within the drama , the convention of absolute reliability has been destroyed , and while the gains for some fictional purposes are undeniable , the costs are undeniable ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York