Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
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Pagina 15
... comic punish- ment of the husband . Most of it is seen through the eyes of the woman , with great stress on her comic suffering at the hands of the great bullying fool . The climax is his full punishment , in the form of a clever ...
... comic punish- ment of the husband . Most of it is seen through the eyes of the woman , with great stress on her comic suffering at the hands of the great bullying fool . The climax is his full punishment , in the form of a clever ...
Pagina 230
... comic actions of Tom Jones or Don Quixote , to rise above any satirical intent , to exist ultimately as something to be enjoyed in its own right : the satire is for the sake of the comic enjoyment , and not the other way round . The ...
... comic actions of Tom Jones or Don Quixote , to rise above any satirical intent , to exist ultimately as something to be enjoyed in its own right : the satire is for the sake of the comic enjoyment , and not the other way round . The ...
Pagina 262
... comic Miss Bates or a Mr. Weston , judgment with insuf- ficient good will a comic Mr. John Knightley , and so on . I am willing to risk the commonplace in such a listing because it is only thus that the full force of Jane Austen's ...
... comic Miss Bates or a Mr. Weston , judgment with insuf- ficient good will a comic Mr. John Knightley , and so on . I am willing to risk the commonplace in such a listing because it is only thus that the full force of Jane Austen's ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York