Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 138
... complete agreement . This distinction , however , only partly dissolves the contradiction about the role of beliefs , because the divorce between my ordinary self and the selves I am willing to become as I read is not complete . Walker ...
... complete agreement . This distinction , however , only partly dissolves the contradiction about the role of beliefs , because the divorce between my ordinary self and the selves I am willing to become as I read is not complete . Walker ...
Pagina 303
... complete tale , with an explora- tion of possible modes of clarification , could tell us whether enough clues were provided . What meaning would it have to say to Joyce that he has asked for " too much " cryptanalysis in Finne- gans ...
... complete tale , with an explora- tion of possible modes of clarification , could tell us whether enough clues were provided . What meaning would it have to say to Joyce that he has asked for " too much " cryptanalysis in Finne- gans ...
Pagina 396
... complete approval as Georges Carrion , Alissa , or Jean - Baptiste Clamence ? " ( T.L.S. , January 6 , 1961 , p . 8 ) . Surely it would be better . But must we not ask of the novels themselves whether they will justify the exoneration ...
... complete approval as Georges Carrion , Alissa , or Jean - Baptiste Clamence ? " ( T.L.S. , January 6 , 1961 , p . 8 ) . Surely it would be better . But must we not ask of the novels themselves whether they will justify the exoneration ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York