Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 93
... Concept of Imitation in Antiquity , " ibid . , esp . pp . 168-74 . On some current varieties of " rhetorical " criticism , see R. S. Crane , The Languages of Criticism and the Structure of Poetry ( Toronto , 1953 ) , esp . pp . 115–28 ...
... Concept of Imitation in Antiquity , " ibid . , esp . pp . 168-74 . On some current varieties of " rhetorical " criticism , see R. S. Crane , The Languages of Criticism and the Structure of Poetry ( Toronto , 1953 ) , esp . pp . 115–28 ...
Pagina 265
... concept of perfection established by the book she writes ; she even recog- nizes that human perfection of the kind she exemplifies is not quite attainable in real life . The process of her domination is of course circular ; her ...
... concept of perfection established by the book she writes ; she even recog- nizes that human perfection of the kind she exemplifies is not quite attainable in real life . The process of her domination is of course circular ; her ...
Pagina 388
... concept of the realization of a worthwhile purpose . A well - made phrase can serve the rhetorical purposes of a Hitler as well as the literary purposes of a Zola . But in fiction the concept of writing well must include the successful ...
... concept of the realization of a worthwhile purpose . A well - made phrase can serve the rhetorical purposes of a Hitler as well as the literary purposes of a Zola . But in fiction the concept of writing well must include the successful ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York