Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 97
... concept when he talked of the " objective correlative . " " The only way , " he begins his much quoted definition ... concepts of what is " natural " have been covered by this convenient notion of the object which corre- lates with the ...
... concept when he talked of the " objective correlative . " " The only way , " he begins his much quoted definition ... concepts of what is " natural " have been covered by this convenient notion of the object which corre- lates with the ...
Pagina 105
... concept of writing a story seems to have implicit within it the notion of finding techniques of expression that will make the work accessible in the highest possible degree . To think of Isabel as a potential subject is to think of her ...
... concept of writing a story seems to have implicit within it the notion of finding techniques of expression that will make the work accessible in the highest possible degree . To think of Isabel as a potential subject is to think of her ...
Pagina 388
... concept of the realization of a worthwhile purpose . A well - made phrase can serve the rhetorical purposes of a Hitler as well as the literary purposes of a Zola . But in fiction the concept of writing well must include the successful ...
... concept of the realization of a worthwhile purpose . A well - made phrase can serve the rhetorical purposes of a Hitler as well as the literary purposes of a Zola . But in fiction the concept of writing well must include the successful ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York