Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 284
... confusion in the reader , and the most effective way to achieve it is to use an ob- server who is himself confused . Mystification . Of the many uses of bewilderment , ordinary mys- tification without obvious contrivance is perhaps the ...
... confusion in the reader , and the most effective way to achieve it is to use an ob- server who is himself confused . Mystification . Of the many uses of bewilderment , ordinary mys- tification without obvious contrivance is perhaps the ...
Pagina 288
... confusion such works rely upon . 1. Deliberate confusion about the relation of art and reality.- We have already seen something of the fun Sterne could produce by confusing the reader about the kind of book he was writing . Many modern ...
... confusion such works rely upon . 1. Deliberate confusion about the relation of art and reality.- We have already seen something of the fun Sterne could produce by confusing the reader about the kind of book he was writing . Many modern ...
Pagina 292
... confused , like the narrator , until the final rev- elation . Even though many of the parts are themselves held to ... Confusion about moral and spiritual problems . If art were " for art's sake " in the limited sense of existing only to ...
... confused , like the narrator , until the final rev- elation . Even though many of the parts are themselves held to ... Confusion about moral and spiritual problems . If art were " for art's sake " in the limited sense of existing only to ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York