Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 54
... consciousness as a route to " reality " ; her method , she said , expressed her first experience of letting " a stranger in the form of contem- plated reality " have " its own say . " 48 And the youthful Joyce , ad- dressing the ...
... consciousness as a route to " reality " ; her method , she said , expressed her first experience of letting " a stranger in the form of contem- plated reality " have " its own say . " 48 And the youthful Joyce , ad- dressing the ...
Pagina 151
... consciousness of a teller , whether an " I " or a " he . " Even in drama much of what we are given is narrated by ... conscious of an experiencing mind whose views of Types of Narration 151 Dramatized and Undramatized Narrators.
... consciousness of a teller , whether an " I " or a " he . " Even in drama much of what we are given is narrated by ... conscious of an experiencing mind whose views of Types of Narration 151 Dramatized and Undramatized Narrators.
Pagina 163
... consciousness at work on the world . Sometimes what it re- cords is itself dramatic , as when Stephen observes himself in a scene with other characters . But the report itself , the internal record , is dramatic in the second sense only ...
... consciousness at work on the world . Sometimes what it re- cords is itself dramatic , as when Stephen observes himself in a scene with other characters . But the report itself , the internal record , is dramatic in the second sense only ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York