Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 350
... consists largely of them . What are we to make of the following signs of motive , if he is probing " because his faith in her purity supports him " ? " Lyon guessed him [ Capadose ] capable on occasion of defending his posi- tion with ...
... consists largely of them . What are we to make of the following signs of motive , if he is probing " because his faith in her purity supports him " ? " Lyon guessed him [ Capadose ] capable on occasion of defending his posi- tion with ...
Pagina 385
... consists , in part , of a judgment on what they see , and they would ask us to share that judgment as part of the vision . In any case , it is only to such novelists - whatever their number - that one can have anything to say about the ...
... consists , in part , of a judgment on what they see , and they would ask us to share that judgment as part of the vision . In any case , it is only to such novelists - whatever their number - that one can have anything to say about the ...
Pagina 394
... consists in the clear or confused consciousness one has of it . " And he quotes Joyce with approval as saying that " the soul , in one sense , is all there is . " 17 Even this position might be extended to require of the author that he ...
... consists in the clear or confused consciousness one has of it . " And he quotes Joyce with approval as saying that " the soul , in one sense , is all there is . " 17 Even this position might be extended to require of the author that he ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York