Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 111
... conventional re- sponses , requiring a rhetoric to place them for the reader . And even the most permanent values receive altered conventional ex- pression from man to man , region to region , and time to time . The greatest artists do ...
... conventional re- sponses , requiring a rhetoric to place them for the reader . And even the most permanent values receive altered conventional ex- pression from man to man , region to region , and time to time . The greatest artists do ...
Pagina 127
... Conventional expectations . - For experienced readers a son- net begun calls for a sonnet concluded ; an elegy begun in blank verse calls for an elegy completed in blank verse . Even so amor- phous a genre as the novel , with hardly any ...
... Conventional expectations . - For experienced readers a son- net begun calls for a sonnet concluded ; an elegy begun in blank verse calls for an elegy completed in blank verse . Even so amor- phous a genre as the novel , with hardly any ...
Pagina 278
... conventional methods . But with a conventional omniscient narrator , we could only with great difficulty be made to feel personally helpless , personally in want of a champion and avenger . We accept Ida as our champion- only to find ...
... conventional methods . But with a conventional omniscient narrator , we could only with great difficulty be made to feel personally helpless , personally in want of a champion and avenger . We accept Ida as our champion- only to find ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York