Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 31
... criticism to discover how often critics avoid this problem , and how many of them are willing to move happily from vast generalization to particular work as if every schoolboy knew that each poor little novel were trying des- perately ...
... criticism to discover how often critics avoid this problem , and how many of them are willing to move happily from vast generalization to particular work as if every schoolboy knew that each poor little novel were trying des- perately ...
Pagina 36
... critics interested in everyday reality or in the author's personality . Almost every school of criticism has yielded a program for " The Truest Poetry , " as Laurence Lerner called it in the title of his fine recent book . What interest ...
... critics interested in everyday reality or in the author's personality . Almost every school of criticism has yielded a program for " The Truest Poetry , " as Laurence Lerner called it in the title of his fine recent book . What interest ...
Pagina
... critic in the field , even though there are now many bril- liant critics there , who can handle the complex of methods so easily and yet so subtly . The image which I have of the total book is of an indispen- sable handbook of the art ...
... critic in the field , even though there are now many bril- liant critics there , who can handle the complex of methods so easily and yet so subtly . The image which I have of the total book is of an indispen- sable handbook of the art ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York