Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 44
... distinct from his " material " or " subject " -is aimed at this twofold goal . His talk about rhetoric , in short ( as distinct from the actual technique in the works ) , is for the most part about how to increase in each work the ...
... distinct from his " material " or " subject " -is aimed at this twofold goal . His talk about rhetoric , in short ( as distinct from the actual technique in the works ) , is for the most part about how to increase in each work the ...
Pagina 82
characters . At the same time , it is clearly distinct from impartiality , since the artist could feel a lively hate or love or pity for all of his characters impartially . There seems to be a genuine temperamental difference among ...
characters . At the same time , it is clearly distinct from impartiality , since the artist could feel a lively hate or love or pity for all of his characters impartially . There seems to be a genuine temperamental difference among ...
Pagina 127
... distinct from all others and as distinct from life . Again , authors may surprise us by violating conventions , but only so long as conventional expectations are available in a given public to be played upon . When everyone prides ...
... distinct from all others and as distinct from life . Again , authors may surprise us by violating conventions , but only so long as conventional expectations are available in a given public to be played upon . When everyone prides ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York