Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 137
... distinction we have made between the real author and the implied author , the second self created in the work . The " views of man " of Faulkner and E. M. Forster , as they go about making their Stockholm addresses or writing their ...
... distinction we have made between the real author and the implied author , the second self created in the work . The " views of man " of Faulkner and E. M. Forster , as they go about making their Stockholm addresses or writing their ...
Pagina 151
... distinction is less important than has often been claimed is seen in the fact that all of the following func- tional distinctions apply to both first- and third - person narration alike . DRAMATIZED AND UNDRAMATIZED NARRATORS Perhaps ...
... distinction is less important than has often been claimed is seen in the fact that all of the following func- tional distinctions apply to both first- and third - person narration alike . DRAMATIZED AND UNDRAMATIZED NARRATORS Perhaps ...
Pagina 154
... distinction between dramatic and narrative man- ners , the somewhat different modern distinction between showing and telling does cover the ground . But the trouble is that it pays for broad coverage with gross imprecision . Narrators ...
... distinction between dramatic and narrative man- ners , the somewhat different modern distinction between showing and telling does cover the ground . But the trouble is that it pays for broad coverage with gross imprecision . Narrators ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York