Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 63
... doctrine we tried to substitute for it would be fully as dangerous . Fortunately , the alternative to dogmatic realism is not dogmatic antirealism . There are many other routes we can follow ; whichever one we choose , our success will ...
... doctrine we tried to substitute for it would be fully as dangerous . Fortunately , the alternative to dogmatic realism is not dogmatic antirealism . There are many other routes we can follow ; whichever one we choose , our success will ...
Pagina 206
... doctrine is , that the author and the reader should move along together in full confidence with each other . Let the personages of the drama undergo ever so complete a comedy of errors among them- selves , but let the spectator never ...
... doctrine is , that the author and the reader should move along together in full confidence with each other . Let the personages of the drama undergo ever so complete a comedy of errors among them- selves , but let the spectator never ...
Pagina 280
... doctrine : the story is great because , through the mastery of sympathy and irony , it becomes a peculiarly poignant modern tragedy of self - discovery . If there is too much of James's voice when judged by abstract criteria about ...
... doctrine : the story is great because , through the mastery of sympathy and irony , it becomes a peculiarly poignant modern tragedy of self - discovery . If there is too much of James's voice when judged by abstract criteria about ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York