Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 162
... dramatic is to show characters dramati- cally engaged with each other , motive clashing with motive , the outcome depending upon the resolution of motives , then this scene is dramatic . But if it is to give the impression that the ...
... dramatic is to show characters dramati- cally engaged with each other , motive clashing with motive , the outcome depending upon the resolution of motives , then this scene is dramatic . But if it is to give the impression that the ...
Pagina 163
... dramatic , as when Stephen observes himself in a scene with other characters . But the report itself , the internal record , is dramatic in the second sense only . The report we are given of what goes on in Stephen's mind is a monologue ...
... dramatic , as when Stephen observes himself in a scene with other characters . But the report itself , the internal record , is dramatic in the second sense only . The report we are given of what goes on in Stephen's mind is a monologue ...
Pagina 441
... Dramatic , analyzed as term , 161-63 Dramatic irony , 64 , 172-76 , 230 , 255-56 , 285 ; see also Criteria defined , 175-76 Dramatic monologue , 63 Dramatic narration , 8 , 101 ; see also Scene Dramatic rendering , 29 ; see also Showing ...
... Dramatic , analyzed as term , 161-63 Dramatic irony , 64 , 172-76 , 230 , 255-56 , 285 ; see also Criteria defined , 175-76 Dramatic monologue , 63 Dramatic narration , 8 , 101 ; see also Scene Dramatic rendering , 29 ; see also Showing ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York