Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 91
... element be purged in order that what remains might consist of nothing but pure elements fused in an intrinsic, internal relationship. Though such theories have varied widely in what they would ban, most of them have excluded all obvious ...
... element be purged in order that what remains might consist of nothing but pure elements fused in an intrinsic, internal relationship. Though such theories have varied widely in what they would ban, most of them have excluded all obvious ...
Pagina 104
... elements in The Portrait of a Lady . What it must mean , for James as for us , is that there are no elements that are only rhetorical ; when the book is completed , everything , including the rhetoric , " belongs , " everything has ...
... elements in The Portrait of a Lady . What it must mean , for James as for us , is that there are no elements that are only rhetorical ; when the book is completed , everything , including the rhetoric , " belongs , " everything has ...
Pagina 229
... elements from all three help to hold it together : it has a kind of comic plot , though an " exploded " one ; it ... element of cohesion . But in combining the three traditions , Sterne has created some- 19 See Bibliography , Sec . V ...
... elements from all three help to hold it together : it has a kind of comic plot , though an " exploded " one ; it ... element of cohesion . But in combining the three traditions , Sterne has created some- 19 See Bibliography , Sec . V ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York