Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 123
... emotional epi- thets , he does so in order to increase the emotional effect in the reader . " I take pathos to be entirely a matter of restraint . . . . It is essential that one not say of a thing that ' it is sad , ' but that it be sad ...
... emotional epi- thets , he does so in order to increase the emotional effect in the reader . " I take pathos to be entirely a matter of restraint . . . . It is essential that one not say of a thing that ' it is sad , ' but that it be sad ...
Pagina 248
... emotional reaction to every event concerning Emma tends to become like her own . When she feels anxiety or shame , we feel analogous emotions . Our modern awareness that such " feelings " are not identical with those we feel in our own ...
... emotional reaction to every event concerning Emma tends to become like her own . When she feels anxiety or shame , we feel analogous emotions . Our modern awareness that such " feelings " are not identical with those we feel in our own ...
Pagina 441
... Emotional attachment , as end ; see Cri- teria , reader , desired effects on ; Sym- pathy Emotional distance , 156 ; see also Distance Emotional intensity , as end , 185-86 , 377 Emotional involvement , 129-33 ; see also Sympathy Emotions ...
... Emotional attachment , as end ; see Cri- teria , reader , desired effects on ; Sym- pathy Emotional distance , 156 ; see also Distance Emotional intensity , as end , 185-86 , 377 Emotional involvement , 129-33 ; see also Sympathy Emotions ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York