Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 101
... examples can be found in earlier drama . The scene between Cassandra and the chorus in Agamemnon , the longest scene in the play , coming at a time when all of the important action is going on unobserved backstage , is a splendid example ...
... examples can be found in earlier drama . The scene between Cassandra and the chorus in Agamemnon , the longest scene in the play , coming at a time when all of the important action is going on unobserved backstage , is a splendid example ...
Pagina 174
... example , Corinne [ 1807 ] ) , and Dickens ( for example , Martin Chuzzlewit [ 1843-44 ] ) , to say nothing of many modern regional novelists , are only an extreme form of a blight that can be found everywhere , from novels that are ...
... example , Corinne [ 1807 ] ) , and Dickens ( for example , Martin Chuzzlewit [ 1843-44 ] ) , to say nothing of many modern regional novelists , are only an extreme form of a blight that can be found everywhere , from novels that are ...
Pagina 379
... EXAMPLE Let us imagine a non-professional reader, intelligent and well-read, approaching for the first time Celine's work, Journey to the End of the Night (1932). He chooses it, let us say, from the drugstore reprint rack.3 He has a dim ...
... EXAMPLE Let us imagine a non-professional reader, intelligent and well-read, approaching for the first time Celine's work, Journey to the End of the Night (1932). He chooses it, let us say, from the drugstore reprint rack.3 He has a dim ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Recueil général des opéras représentés par l'Academie royale de ..., Volume 1 Visualizzazione completa |
Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York