Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 50
... exist . If we suspect for a moment that he is behind the scenes , controlling the lives of his characters , they will not seem to be free . Objecting to Mauriac's attempt to " play God " with his characters , Sartre accuses him of ...
... exist . If we suspect for a moment that he is behind the scenes , controlling the lives of his characters , they will not seem to be free . Objecting to Mauriac's attempt to " play God " with his characters , Sartre accuses him of ...
Pagina 140
... exist , and then judge all books and all readers as they more or less approx- imate to this pure state , that is our privilege . But as the facts are , even the greatest of literature is radically dependent on the con- currence of ...
... exist , and then judge all books and all readers as they more or less approx- imate to this pure state , that is our privilege . But as the facts are , even the greatest of literature is radically dependent on the con- currence of ...
Pagina 152
... exist to set off and clarify the idiot's jumble ) . We should remind ourselves that many dramatized narrators are never explicitly labeled as narrators at all . In a sense , every speech , every gesture , narrates ; most works contain ...
... exist to set off and clarify the idiot's jumble ) . We should remind ourselves that many dramatized narrators are never explicitly labeled as narrators at all . In a sense , every speech , every gesture , narrates ; most works contain ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York