Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 73
... explicit commentary ; it is even more derived from the kind of tale he chooses to tell . But the commentary makes explicit for us a rela- tionship which is present in all fiction , even though it may be over- looked in fiction without ...
... explicit commentary ; it is even more derived from the kind of tale he chooses to tell . But the commentary makes explicit for us a rela- tionship which is present in all fiction , even though it may be over- looked in fiction without ...
Pagina 84
... explicit the vicious morality on which enjoyment of the books is based : " You may notice , reader , that when Mike Hammer beats up an Anglo - Saxon American he is less brutal than when he beats up a Jew , and that when he beats up a ...
... explicit the vicious morality on which enjoyment of the books is based : " You may notice , reader , that when Mike Hammer beats up an Anglo - Saxon American he is less brutal than when he beats up a Jew , and that when he beats up a ...
Pagina 183
... explicit deification of the artist - God ? It is true that an author can avoid crippling disagreements about such mat- ters by concealing his own opinions . But whenever our concurrence is essential to the success of his work , he must ...
... explicit deification of the artist - God ? It is true that an author can avoid crippling disagreements about such mat- ters by concealing his own opinions . But whenever our concurrence is essential to the success of his work , he must ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York