Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 63
... expression of one quality of mind and soul , deliberately not judged , deliberate- ly left unplaced , isolated from the rest of human experience . It is , thus , less closely related to the traditional forms of fiction than to lyric ...
... expression of one quality of mind and soul , deliberately not judged , deliberate- ly left unplaced , isolated from the rest of human experience . It is , thus , less closely related to the traditional forms of fiction than to lyric ...
Pagina 94
... expression of thought , " only when " these deviations foreshadow , as it were , a world of relationships distinct from the purely practical world . " The poet grasps " frag- ments " of this " noble and living , " impractical world ...
... expression of thought , " only when " these deviations foreshadow , as it were , a world of relationships distinct from the purely practical world . " The poet grasps " frag- ments " of this " noble and living , " impractical world ...
Pagina 105
... expression and of their technique as self - discovery . But , regardless of how we de- fine art or artistry , the very concept of writing a story seems to have implicit within it the notion of finding techniques of expression that will ...
... expression and of their technique as self - discovery . But , regardless of how we de- fine art or artistry , the very concept of writing a story seems to have implicit within it the notion of finding techniques of expression that will ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York