Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 82
... external evi- dence , whether an author has felt his work or written with cold detachment . Did Fielding hate Jonathan Wild or weep for Amelia ? Was he personally amused when Parson Adams , on his way to London to sell sermons which ...
... external evi- dence , whether an author has felt his work or written with cold detachment . Did Fielding hate Jonathan Wild or weep for Amelia ? Was he personally amused when Parson Adams , on his way to London to sell sermons which ...
Pagina 116
... external view to be a wicked man , or to love , as in Emma , what looks to any external view to be a vain and meddling woman - what then ? Why then all the rhetorical resources at his command - every resource of style , of transformed ...
... external view to be a wicked man , or to love , as in Emma , what looks to any external view to be a vain and meddling woman - what then ? Why then all the rhetorical resources at his command - every resource of style , of transformed ...
Pagina 122
... external influences by no means account for the readiness with which serious artists pursued the very sense of distance which the preceding generations had struggled to overcome . sound . But the novelist will find himself in ...
... external influences by no means account for the readiness with which serious artists pursued the very sense of distance which the preceding generations had struggled to overcome . sound . But the novelist will find himself in ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York