Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
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Pagina 245
... faults would have been fatal . SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the problem of maintaining sympathy despite al- most crippling faults was primarily to use the heroine herself as a kind of narrator , though in ...
... faults would have been fatal . SYMPATHY THROUGH CONTROL OF INSIDE VIEWS The solution to the problem of maintaining sympathy despite al- most crippling faults was primarily to use the heroine herself as a kind of narrator , though in ...
Pagina 246
... faults and her humiliation would make artistic sense to an unsympathetic reader , her marriage with Knightley would become irrelevant if not meaningless . Unless we desire Emma's happiness and her reform which alone can make that ...
... faults and her humiliation would make artistic sense to an unsympathetic reader , her marriage with Knightley would become irrelevant if not meaningless . Unless we desire Emma's happiness and her reform which alone can make that ...
Pagina 250
Emma's faults from the inside out , as if they were our own , we may very well not only forgive them but overlook them . " There is , of course , no danger that readers who persist to the end will overlook Emma's serious mistakes ...
Emma's faults from the inside out , as if they were our own , we may very well not only forgive them but overlook them . " There is , of course , no danger that readers who persist to the end will overlook Emma's serious mistakes ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
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Parole e frasi comuni
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York