Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, Volume 1Slatkine Reprints, 1965 |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 60
... feel many moments of vivid physical pain and pleasure , but Dostoevski knew when to hold back . We must feel Lisa's crushed finger as intensely as possible , and we feel it . " Lisa unbolted the door , opened it a little , put her ...
... feel many moments of vivid physical pain and pleasure , but Dostoevski knew when to hold back . We must feel Lisa's crushed finger as intensely as possible , and we feel it . " Lisa unbolted the door , opened it a little , put her ...
Pagina 82
... feel " their roles and actors like the heroine of Somerset Maugham's Theatre , who finds that as soon as she feels a role her power to perform effectively is destroyed . Trollope in his Autobi- ography describes himself as wandering ...
... feel " their roles and actors like the heroine of Somerset Maugham's Theatre , who finds that as soon as she feels a role her power to perform effectively is destroyed . Trollope in his Autobi- ography describes himself as wandering ...
Pagina 90
... feel good . So does watching a bird make me feel good . " 2 In the last few decades it is really only in handbooks about how to write best sellers that we find very much open advice to the author to think of his reader and write ...
... feel good . So does watching a bird make me feel good . " 2 In the last few decades it is really only in handbooks about how to write best sellers that we find very much open advice to the author to think of his reader and write ...
Sommario
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York